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Would You Say: Sure I Can Do That!

Would You Say: Sure I Can Do That!

If you have ever doubted your ability, this podcast will show you what becomes possible when you decide, “Sure. I can do that.”

In this episode of the Power Of Women Podcast, Di Gillett interviews Claudia Chan Shaw: designer, curator, broadcaster and author, about building a portfolio career anchored in courage and commercial instinct.

From growing up in the Vivian Chan Shaw fashion house to exporting Australian knitwear globally, curating large-scale public art installations, co-hosting ABC TV’s Collectors, and leading international Art Deco tours, Claudia’s career defies single-lane thinking.

And if her face is familiar, perhaps you have seen her hanging in an art gallery, having sat for eleven Archibald Prize portraits.

 

➡️We explore :

Courage & self-belief

Portfolio careers and creative entrepreneurship

Why saying yes builds capability

Fashion legacy and the Powerhouse Museum collection

Exporting Australian design globally

Art Deco, collecting and cultural capital

Reinvention at 50 and beyond

Why women don’t need to choose just one identity

 

Claudia said:

“Sure. “I can do that.”

“You don’t have to limit yourself to anything.”

“Working in the creative industries, you never know what the next gig is going to be.”

📖 Read the full transcript of this conversation here.

FULL TRANSCRIPT_CLAUDIA CHAN SHAW

 

DI GILLETT [HOST] (00:02)

When you hear the words power of women, what’s the first lived experience that comes to mind?

 

CLAUDIA CHAN SHAW [GUEST] (00:09)

For me, Claudia Chan Shaw, it is a powerful mother. And having a powerful mother who raised a family of five children on her own, from the minute I was born, I was experiencing the power of one hell of an incredible woman.

 

DI GILLETT [HOST] (00:25)

Would you have the courage to say yes to opportunities and trust yourself to work out the how later? I’m Di Gillett and this is the Power of Women podcast and we’re a platform that showcases and celebrates the strength, resilience and achievements of women from all walks of life. Today I have the privilege to showcase the incredible career of Claudia Chan Shaw.

 

A woman whose career has never been limited to one sector or one role. Claudia’s career spans fashion, television, radio, curation. She’s an author, public speaker, collector, visual artist, cultural tour leader, and business owner. A career shaped by curiosity, legacy, and a willingness to say yes before knowing exactly where that yes might lead.

 

So today we’re going to explore what becomes possible when you trust your capacity to work things out as you go. Claudia Chan Shaw, welcome to the Power of Women podcast.

 

CLAUDIA CHAN SHAW [GUEST] (01:36)

Thank you, Di. It’s so lovely to be talking to you in this area rather than across the dinner table.

 

DI GILLETT [HOST] (01:43)

I quite like a cross a dinner table, we don’t get the fantastic backdrop for those who are watching us on YouTube as we have today. What is in the background of your screenshot?

 

CLAUDIA CHAN SHAW [GUEST] (01:58)

Okay so welcome to my home. ⁓ I have to preface this with, this is not the house of a crazy person, ⁓ I am sitting in front of a three meter high robot rat and why would that be she says and next to me is a giant giant key that winds the robot up. was, it’s a design.

 

DI GILLETT [HOST] (02:22)

We might be talking AI.

 

CLAUDIA CHAN SHAW [GUEST] (02:24)

Now this is the real thing. It’s a robot rat because I designed it for the Sydney Lunar Festival during the year of the rat and it was one of the hero designs as a piece of public artwork and one of them lives in my lounge room. There were nine.

 

DI GILLETT [HOST] (02:40)

wow, now can understand why nine of them don’t live in your lounge room at that height. But for those of you who jump on the YouTube channel and have a look at this episode, this is the most divine display of Art Deco, both with how Claudia’s dressed and then with this robot image behind her. It’s just divine. But let’s, I digress. Claudia, what was your first job?

 

CLAUDIA CHAN SHAW [GUEST] (03:10)

I was thinking about this and do we go with the first gig I actually pitched for or do we go with when I was five years old being selected to be the face of an overseas telecommunications ad? let’s with Okay, five years old, little Eurasian person holding a telephone. It kind of predates the phone home to Italy ads.

 

DI GILLETT [HOST] (03:25)

One.

 

First job? Where did the money come

 

CLAUDIA CHAN SHAW [GUEST] (03:37)

First

 

job. ⁓ don’t even know. Hopefully it went to feed our family.

 

DI GILLETT [HOST] (03:42)

There we go good good line good

 

CLAUDIA CHAN SHAW [GUEST] (03:45)

could have been a favour, could have been a favour, but that was my first gig.

 

DI GILLETT [HOST] (03:48)

first gig at five that trumps mine. So you’ve, you’ve got this tendency to say yes and work out the how later. I’m a control freak and an A type personality. And I have to say that scares the crap out of me because I don’t like surprises. Where did that instinct come from?

 

CLAUDIA CHAN SHAW [GUEST] (04:14)

⁓ I think because I’ve always been told you can do anything you set your mind to and also working in the creative industries you never know what the next gig is going to be so if something piques your interest and you go you know what I can do that or somebody says to you would you like to blah blah blah okay yeah I can do that and then I always say yes and then go what have I done

 

And so it doesn’t mean that you go into every time you say yes with this. I am so confident about what I’m going to do for these people that it’s just not funny. It’s a wonderful, healthy trepidation. Wow, okay, what have I bitten off and how am I going to tackle it? And am I really qualified for it? But so far so good. And I always say yes. And mainly, I think, because working in the creative industries.

 

DI GILLETT [HOST] (05:08)

the opportunities are within scope. But how do you cherry, do you cherry pick or you’ve just said you say yes to everything? There must be a couple of no-go’s.

 

CLAUDIA CHAN SHAW [GUEST] (05:20)

⁓ Yes yes yes there are I say yes to many opportunities and sometimes the most unexpected things ⁓ and some because I’m in this area where I’m sometimes quite visible you get all sorts of ridiculous offers coming out of the woodwork you know open your email every day and this would you like to appear here or would you like to do this and sometimes it’s no I wouldn’t. ⁓ I don’t necessarily want to want to associate me.

 

With what it is you’re wanting me to do or promote so. It’s generally yes and and the yeses have led to a very varied career one might these days used to call somebody like me a slashy now they call me a multi hyphenate.

 

DI GILLETT [HOST] (06:09)

multi-hyphenate because I was going to say if I bumped in what what’s the elevator pitch what’s the elevator pitch of who who you are what you do

 

CLAUDIA CHAN SHAW [GUEST] (06:19)

Yeah, that’s always the question at the dinner party, isn’t it? And what is it that you do? I’m a brain surgeon. End of story. ⁓ Not a brain surgeon. So what do I do? I always say designer first because that is what I trained for. That is what I lived in most of my life. And through design, everything else has come out. So designer first. Then I say I’m a TV and radio presenter. I’m an author. I’m a visual artist. I’m a curator.

 

So and and and cultural tour leader and public speaker. So everything goes out of the next. Well, and then this great look of confusion comes over them or they get out on level three and leave me there in the elevator. That’s too hard.

 

DI GILLETT [HOST] (07:05)

Yeah, because it’s taking you three floors to get all of that out.

 

CLAUDIA CHAN SHAW [GUEST] (07:09)

I know, know, so it’s too much. When I have to fill out, you know when you’re coming into the country and you’re filling out your immigration landing card and it says profession?

 

DI GILLETT [HOST] (07:21)

Yeah, that’s a good point. What do you put there?

 

CLAUDIA CHAN SHAW [GUEST] (07:24)

I designer because design is the basis for every every other jumping off point in my life.

 

DI GILLETT [HOST] (07:31)

and which qualifies having this divine three meter image, statue, robot rat.

 

CLAUDIA CHAN SHAW [GUEST] (07:39)

He’s 3D.

 

DI GILLETT [HOST] (07:43)

where did you have him built? I mean that’s just the most extraordinary piece of art.

 

CLAUDIA CHAN SHAW [GUEST] (07:49)

I know, it’s pretty fabulous.

 

DI GILLETT [HOST] (07:51)

How do you know where to start to get that done, for example?

 

CLAUDIA CHAN SHAW [GUEST] (07:54)

Well, because this was done for the Sydney Lunar Festival, there are whole range of ⁓ companies that have engineers and artisans that are able to take an idea on paper into a very, large 3D piece of work that is going to withstand wind and rain and crowds and anything else that…

 

it needs to cover, safety-wise, to be a piece of public art for the city of Sydney. So there’s a range of wonderful, wonderful makers that have to pitch ⁓ to the city of Sydney to make the ideas that the artists come up with.

 

DI GILLETT [HOST] (08:34)

Yeah, wow. So let’s come back to design and let’s, if we could bring it back to perhaps the origins in fashion, because I studied fashion design and there was a raft of Australian, well known Australian designers at that point in time in the 80s that I looked to as extraordinary. And one of those was your mother, Vivian Chan Shaw.

 

and I remember her work vividly and I understand the collection now sits in the Powerhouse Museum, all parts of, we’ll come back to that. Tell us about the brand and the persona behind the brand and then your involvement.

 

CLAUDIA CHAN SHAW [GUEST] (09:26)

Okay, so it starts in 1972 when my mother is a very creative woman, no design training at all, but just naturally gifted. She trained as a musician, went to the Sydney Conservatory of Music, didn’t think she had what it takes to be a concert pianist. So then she discovers she’s married with all these little children on her own, she needs to make a living. So she goes to work for a bridal company where she’s the owner of the company says,

 

You can sketch, we’re selling beautiful fabrics for bride or frocks. Can you sketch something for this lady and show her what to do with some fabric? So she starts becoming a fashion coordinator and designer. After she’s made a lot of money for a lot of people around Sydney, she thinks, I can do this on my own. So Vivian opens a boutique under the Sydney Hilton Hotel in 1972 and she’s making garments out of jersey and silk and…

 

very elaborate detail and decoration on them. Preface this with her mother ⁓ had a little children’s wear shop in Sydney and Crown Street and prior to that in the 1930s in Shanghai where she used to make exquisite children’s wear. Mum grows up learning how to make little handmade roses, helping her mother in the business, fast forward to opens her own business. The Vivienne Chan Shaw label takes off

 

But Vivian decides, well, I’m using fabric. Other people can buy the same fabric. How do I become unique? How does my look set itself apart? So she decides to go into knitwear because she had always knitted, taught to knit when she was five years old by her grandmother. And so she started putting a few hand knits into the shop. People went mad for them. And then she started to hand loom on a domestic flatbed knitting machine, one by one, not cut and sewn. So the whole business

 

starts with a handmade knitted product. Who the hell does that in Australia? It is. It is.

 

DI GILLETT [HOST] (11:27)

It’s pretty intense.

 

So did that evolve into ⁓ those being constructed in garment factories or did it remain hand loom design by design? How do you scale that?

 

CLAUDIA CHAN SHAW [GUEST] (11:46)

Yeah, always. Well, we say it’s cottage industry proudly. ⁓ No mass production. No mass production. Everything made by hand in Sydney. We had a decent size team. But of course, it limits your production. But that’s OK, because we don’t want to be in it. It is. It is. And you can truly say, because each piece is handmade, that each piece is unique. The hand is different every time it’s

 

DI GILLETT [HOST] (12:04)

Yeah.

 

CLAUDIA CHAN SHAW [GUEST] (12:15)

touches a design. So it goes from retailing under the Hilton Hotel to in 1986 Vivian looks across the road and the Queen Victoria building is coming alive and she says that’s the place to be and moved across the to the QVB. Indeed. And how many years was that? 28 years in the QVB. she’d started in 72, moved in 86 to the QVB.

 

DI GILLETT [HOST] (12:34)

you there?

 

CLAUDIA CHAN SHAW [GUEST] (12:44)

We closed the QVB in 2014, so 28 years, but in that time not just retailing, but wholesaling and exporting to the USA, the UK, Germany, Switzerland, New Zealand, even Papua New Guinea to this crazy group of expats. So the label, while small and handmade, had this reach that was really quite extraordinary for a little business.

 

DI GILLETT [HOST] (13:09)

So when did the power of one being your mother become the power of two with you added into the business?

 

CLAUDIA CHAN SHAW [GUEST] (13:16)

Officially in 1986 when the business became incorporated as a company and I became Vivian’s business partner and co-designer. Prior to that when I was about 11 I would be falling asleep in the fitting room at the Hilton and then going, oh can we go home now mum? And coming out and there’s a woman looking on the rack and go, Mrs. Jones I’ve got something fabulous for you, look at this. So this precocious little monkey is selling.

 

and on the floor and doing book work ⁓ and working with my mother since I was a kid. we also, when we started selling to the United States, I took a year off college to embark on this journey to go door knocking across America from San Francisco to New York. And just two little ladies just knocking on doors and we did it.

 

DI GILLETT [HOST] (14:06)

How did that go? Did that open doors?

 

CLAUDIA CHAN SHAW [GUEST] (14:10)

It sure did. It was interesting because before we left, we went to see Austrade. this is 1982. And there weren’t a lot of fashion exports going on at that stage. It was pretty early. And Austrade didn’t really know how to deal with placing Australian handmade fashion with different connections overseas when they used a primary industry or something like that. So we

 

Went to us trade and some of the office trade offices overseas were very, very helpful, letting us use their office to make phone calls, set up appointments, do showings, and others were absolutely hopeless and had no idea what to do. ⁓ Some were so wonderful that they dragged our bags and helped us take bags to boutiques. And then we would literally door knock. So we’d do a stakeout, peer through the window of a shop and go, that looks like us. That looks good. I would overdress.

 

unbearably. So I’ve got everything on. And then we’d bowl into the shop, no appointment, and walk in and say, hi, I’m Claudia. I’m from Australia. And we have something fabulous to show you. the Americans would go, and this is, know, like Australia is pretty hot in the USA. ⁓ my God, your accent is darling. And so we go in and the staff would look at us and go, hang on, hang on. I’m just going to go get the owner because these are owner operated stores in those days.

 

DI GILLETT [HOST] (15:23)

Yeah, really cut.

 

CLAUDIA CHAN SHAW [GUEST] (15:38)

And then I pull out the portfolio, start showing, and they go, my God. And I go, mom, come in. We’re on. Exactly. She dragged the bags in and we’re pulling things out. And that’s how we started. And two of the stores, ⁓ one in Chicago and one in New York, we approached them in that way. We took our orders and we sold to them for over 25 years. So it was just the right fit, the right time.

 

the right way to do business. tried that approach in, I tried the door knocking in on Rodeo Drive in LA. I was thrown out of the store. I was out of the store for loitering around the racks. Ma’am, would you leave? Excuse me, ma’am. No. Do you have an appointment? No. We tried some big stores without appointments. And then when we did get appointments, it just

 

DI GILLETT [HOST] (16:18)

slightly different style.

 

CLAUDIA CHAN SHAW [GUEST] (16:35)

You know it was some buyer that was bigger than Ben Hur and buying from multi stores and it wasn’t the way to do it. So you know the door knocking was hokey and then in the UK ⁓ by this time I’ve done an export marketing skills course at Monash University.

 

DI GILLETT [HOST] (16:53)

He says, hope he doesn’t cut it.

 

CLAUDIA CHAN SHAW [GUEST] (16:55)

He doesn’t cut it and so and they send us to Los Angeles to do a field trip and all these different products from chef chef uniforms to ⁓ a mainstream fashion to this this quirky handmade high-end label and ⁓ Made the appointments went to Cal Mart where all the agents are saw all the people I needed to see and what do I do at the end? I’m not taking this bag of samples home. So I go door knocking and get rid of them ⁓

 

But now I know the difference. I have the desk learning. 5 % of the population of the United States can buy your product. Great. 5 % is huge.

 

DI GILLETT [HOST] (17:33)

5 % will do, thank you very much. That’s right. That’s all right. But seriously, that has to significantly feed into the say yes and work it out later mentality.

 

CLAUDIA CHAN SHAW [GUEST] (17:47)

I hadn’t thought of that, I think so, because it takes a lot of kutspa.

 

DI GILLETT [HOST] (17:52)

That’s the word I was reaching for.

 

CLAUDIA CHAN SHAW [GUEST] (17:54)

to roll into a high-end boutique New York City yeah and I’m here

 

DI GILLETT [HOST] (18:01)

Yeah, yeah, no, that is truly, truly extraordinary. So how what what sits now in the powerhouse museum as a reflection of the brand?

 

CLAUDIA CHAN SHAW [GUEST] (18:15)

So we have my wedding gown Sitting in sitting in the powerhouse so Vivian my mom and I designed that together and it was like You can have anything you want when you’re a designer and you make things for your wedding gown It was the hardest thing ever. We’re like, do I want? I know I didn’t want strapless. I know I didn’t want white. I know I don’t want a sweetheart neckline No, it’s white and black

 

DI GILLETT [HOST] (18:36)

Why is it?

 

CLAUDIA CHAN SHAW [GUEST] (18:41)

And so it’s a very special frock and it has been in several exhibitions since it was in the Powerhouse Museum’s 200 Years of Australian Wedding Fashion exhibition, which was a very proud moment for us. And it’s been in an exhibition in Bendigo on wedding frocks. It’s been in two Vivienne Chan Shaw retrospectives. So that’s the main one. And then they also have garments from different decades, 70s, 80s, 90s, 2000s. So they’ve got…

 

designs from each of those key times.

 

DI GILLETT [HOST] (19:14)

So there’s another title we didn’t add to that list of skills and titles, job titles that you have, house model in other words. It’s clearly you’ve been a walking talking billboard for the brand for most of your life.

 

CLAUDIA CHAN SHAW [GUEST] (19:24)

right? Yes, that’s true.

 

That’s true. When I was about 17, my mother sent me off to June Daly Watkins Modeling Agency. so I did the…

 

DI GILLETT [HOST] (19:42)

connection

 

for our baby boomers listening

 

CLAUDIA CHAN SHAW [GUEST] (19:45)

Yes, we know how to walk and apply nail polish and makeup so I went to Dally’s and they signed me up to be on their books as a model as the shortest girl on the books and Then I transitioned and went across to Chadwick modeling agency and was the shortest girl on their books ⁓ Sometimes I felt like I was the mascot honestly

 

⁓ Too short for main catwalk unless they sent me out first or last with no frame of reference for height. Reference of course. Yes, but mainly TV commercials and print. naturally I was modeling for our label and it made sense because I’m available. I’m there.

 

DI GILLETT [HOST] (20:36)

Reasonable

 

price point, what’s the rate card for? Yeah.

 

CLAUDIA CHAN SHAW [GUEST] (20:39)

I’m cheap.

 

We’ll work for food. And I think when you’re selling fashion, and you know this, Di, that it’s not just a frock on a coat hanger and it’s going to sell itself, especially when it’s something a little bit off beat. ⁓ It needs a personality behind it. When we would do showings for wholesale clients or export clients, I would be walking and talking and explaining and showing how it worked. So that works well too.

 

when it’s a very individual way of selling.

 

DI GILLETT [HOST] (21:12)

What is that fabulous line from Coco Chanel, it’s not luxury if it’s not comfortable, is that something along those lines? And that would play into the beautiful brand of Vivienne Chan Shaw because niche gives, it moves, it breathes, it’s got all of those, all of those.

 

CLAUDIA CHAN SHAW [GUEST] (21:35)

It hand washes, it’s forgivable if you add or lose. It’s timeless. It’s timeless.

 

DI GILLETT [HOST] (21:41)

Yeah,

 

yeah, which is extraordinary. So that creates a legacy. What does legacy mean to you? Why is that part important?

 

CLAUDIA CHAN SHAW [GUEST] (21:54)

⁓ I’d be may have gathered just from my my my gushing about how important our mother is to to our family because she was our you know our everything our mother our father our our everything ⁓ and ultimately my my business partner my mate. ⁓ It’s important legacy because she never blew her own trumpet she’s decided mouthpiece yeah wave the flag silver label go here go there so she she.

 

was always letting the work speak for itself and ⁓ deep down she’s really quite shy in that way whereas I’m not shy and I’m very happy to wave the flag and do it because I believe in it. the legacy is really important because with this lovely product we were at so many milestone occasions for our customers.

 

We were at their weddings, we were at the christenings, we were at their birthdays, we were at their celebrations. And so, and they would share those moments with us. So it wasn’t just a frock that you threw on, it was something that was part of their life, part of the milestones, part of the family. And I don’t know how I felt when somebody rang me and said, we buried mum in one of your outfits. And how do you feel about that?

 

DI GILLETT [HOST] (23:13)

Yeah, there’s

 

a couple of ways of feeling about that. Yeah. Yeah.

 

CLAUDIA CHAN SHAW [GUEST] (23:18)

Yeah, so because it was her favorite because she loved it so much because she was beautiful. ⁓ So it’s very, very powerful. Yeah, it’s very powerful. And when I go lecturing around the country, ⁓ people come up to me and pull out photos on their phone saying, I bought this from your mom in 1970 blah, and my granddaughter wears it now.

 

Or I was in Singapore a week ago and I’m sitting in the writers bar in Singapore with a group of Aussies and one of them sees a friend of hers and they’re chatting away and the friend comes over and says I just want to show you something Claudia and I said good to meet you and it’s a picture of her mother wearing one of our outfits to her wedding and I’m in Singapore last week. Incredible.

 

DI GILLETT [HOST] (24:10)

Yeah,

 

that is absolutely magic. You’re listening to The Power of Women and I am talking to the epitome of power of women, Claudia and about her mother and coming up we’re going to talk about the curiosity that connects Claudia’s incredible career.

 

If you’re loving the Power of Women podcasts, be sure to jump onto our YouTube channel and hit that subscribe button to ensure you never miss an episode.

 

I am talking with the multi-talented Claudia Chan Shaw and Art Deco is a deep passion and it shapes your work as a curator, as an author, as a collector, as a cultural guide, Claudia. What is it about Art Deco and collecting that’s captured your attention?

 

CLAUDIA CHAN SHAW [GUEST] (25:10)

⁓ Well I suppose we have to do this chronologically. Everything starts with collecting absolutely everything so as a as a kid I’m on the couch now die it all began when I was a child as a kid I was a bit of a weird nut.

 

Okay, all right. I’m on your virtual couch. I was a bit of a weird nut as a kid. I’m obsessive about certain things that I’m interested in and ⁓ I was obsessive about Humphrey Bogart as an 11 year old. Now he’s, you know, dead, not particularly handsome. ⁓ I know it was pretty unusual. Other girls are in love with Rod Stewart or something and I’m in love with a dead movie star. And so I’m absolutely obsessed.

 

DI GILLETT [HOST] (25:48)

…is an 11-year-old.

 

CLAUDIA CHAN SHAW [GUEST] (26:01)

My collecting started with Humphrey Bogart. So I had a poster of him that cost me a dollar and then I was buying lobby cards. was getting buying books, anything to do with Bogart t-shirts, badges that I used to make and wear this high school. And the collecting starts there. I even have a Maltese Falcon, which is, know, 1941 Humphrey Bogart.

 

DI GILLETT [HOST] (26:27)

Quirky kid at 11.

 

CLAUDIA CHAN SHAW [GUEST] (26:29)

I weird, was a little unusual. ⁓ So the collecting starts there. And then I move from Humphrey Bogart and I used to also take a tape recorder to the cinema and record his movies, pre-videos and learn all the dialogue in the bathroom. My brother’s banging on the door asking me when I was going to be finished.

 

DI GILLETT [HOST] (26:51)

Anyway, and so there’s passion. Yeah.

 

CLAUDIA CHAN SHAW [GUEST] (26:53)

Obsessive, obsessive. And then I moved to collecting tin toys and robots. So we talked about the robot behind me, robots feature. Tin toys and robots because when I was about 15, I sold all of my childhood toys at the Balmain markets in Sydney because I was enterprising but also

 

DI GILLETT [HOST] (27:16)

That’s the salesperson coming through.

 

CLAUDIA CHAN SHAW [GUEST] (27:18)

But I thought I was too grown up. I’m too sophisticated to talk for toys So I sold them all and the minute I sold them I thought you idiot you just sold your memories the things that you loved your little your little comfort things So I have been overcompensating ever since by collecting tin toys and robots Tin toys, so the collecting thing

 

then transitions into collecting tin toys and robots. Then through toys and collecting, opportunity comes when I’m asked to be a guest on the ABC TV show Collectors. And I go on.

 

DI GILLETT [HOST] (28:05)

⁓ sorry, that’s another show. is. That’s another show.

 

CLAUDIA CHAN SHAW [GUEST] (28:08)

That’s right. But I could have ended up with Dexter the Robot, couldn’t You could have. So I’m a guest on Collectors showing off my toys, waxing lyrical about this and fitting into that that canon of crazy collectors. And then shortly after I appear as a guest, I get a call from the ABC saying, would you like to audition for a role as a presenter on Collectors? And I say, yes, I can do that.

 

DI GILLETT [HOST] (28:13)

Good. ⁓

 

Hey, I can do that.

 

CLAUDIA CHAN SHAW [GUEST] (28:38)

I can do that so I audition and I get the role ⁓ as a presenter on collectors. Now the interesting thing is that I thank Humphrey Bogart for getting the role because at the audition they said to me bring along something you can talk about. Don’t bring a robot because we’ve just had four minutes of you in a segment talking about your toys. Bring something you can talk about. So I brought along

 

replica of the Maltese Falcon from the Humphrey Bogart 1941 film. And I’m going on, talking about this object and I get a call the next day, you got the job. And I said that night I watched the Maltese Falcon and it was thank you Humphrey Bogart for channeling my interests so that you kind of become an expert on whatever your area of interest is. So collecting leads to a role on collectors.

 

⁓ Which leads to an email from Harper Collins saying to me, could you write a book on collecting for us? Sure, I can do that. So I write a book on collecting and all its various facets, interview collectors, everything from Rolls Royces to Snowdomes. ⁓ And so that now makes me an author. Because of collectors and because of the profile that I now have, even though I’ve always been interested in these things.

 

I ⁓ receive an email saying, would you be interested in leading a tour to Shanghai on Art Deco?

 

I can do that. Sure.

 

DI GILLETT [HOST] (30:19)

Because in the connection it’s just extraordinary.

 

CLAUDIA CHAN SHAW [GUEST] (30:23)

So the art deco thing again goes back to growing up with watching American films from the 1930s and 40s and these fantastic black and white scenes and wonderful environments. I’ve always been interested in art deco. In the 80s when we were exporting, I would go to antique shops and collectible shops looking at art deco objects. ⁓ I grew up with Erete prints on the wall, the great Russian born

 

Paris-based ⁓ fashion artist who did the most incredible designs for film and Harper’s Bazaar and stage. So I grew up with Airtay on the wall, who is the epitome of the Art Deco woman on the walls. ⁓ So can I lead an Art Deco tour to Shanghai? Sure, I can do that. And then I get an email from the Art Gallery of New South Wales. Would you like to lecture at the Art Gallery of New South Wales?

 

we’re thinking of a topic abstraction in design. Sure, I can do that. So it starts off this, so TV career then then ⁓ and then I’m interviewed on a radio station authoring, lecturing, tour tour leading.

 

DI GILLETT [HOST] (31:41)

Yeah

 

CLAUDIA CHAN SHAW [GUEST] (31:43)

⁓ And then also I’m interviewed on Eastside radio and the after we come off air the presenters asked me, would you like to be a co-presenter on the radio station? Sure, I can do that. So this is the yes, yes, yes, yes, yes. ⁓ Anyway, so collecting leads to Art Deco. The ⁓ Art Deco interest, as I say, was always there, but now focusing on

 

Art Deco in different countries around the world Shanghai, New York, Miami, Singapore, ⁓ all over the world and also an interest in art and design because my degree is in design. ⁓ Everything just comes together. collecting Art Deco, it’s the jumping off point for my later career.

 

DI GILLETT [HOST] (32:30)

It does.

 

Wow. And how many, over what period of time did this start to really snowball and shape itself as this portfolio of extraordinary roles that you’ve been fulfilling?

 

CLAUDIA CHAN SHAW [GUEST] (32:57)

The TV appearance was in about 2010, think. 2011. No, about 2010. And then I was presenting on air on the ABC in 2011. So the TV kicked off there. But there was TV in my late teens and early 20s when I was a house model for Good Morning Sydney on Channel 10.

 

So I wasn’t afraid of touching that.

 

DI GILLETT [HOST] (33:28)

Who

 

hosted Good Morning Sydney in those days?

 

CLAUDIA CHAN SHAW [GUEST] (33:32)

I was Maureen Gival. And I was in a thing called the Sheila segment for Sheila magazine. And it was an advertorial segment and I was their house model. So I wasn’t afraid of a TV studio.

 

DI GILLETT [HOST] (33:49)

Claudia, if I was to say is your career at its richest point now, would that be a fair statement?

 

Absolutely. And in the spirit of it being power of women and as we age being more visible with the opportunity to be more impactful than ever before, could I ask you how old you are?

 

CLAUDIA CHAN SHAW [GUEST] (34:19)

how old am I? I have to do the maths on this. What year is it? I’m ⁓ 62.

 

DI GILLETT [HOST] (34:26)

You’re 62 and this portfolio. And you somewhere thereabouts. Yeah, there we go.

 

CLAUDIA CHAN SHAW [GUEST] (34:35)

I could be 63.

 

I think, yeah.

 

DI GILLETT [HOST] (34:40)

  1. And Claudia’s going, when is this podcast coming out? I might be 63 by the time the date goes live. Very good theory. Now, in terms of that, I mean, that is the absolute epitome of power of women saying, yes, keep going. No line in the sand of where this ends. You just keep going with this whilst this

 

Fabulous experience, Kate’s presenting opportunities.

 

CLAUDIA CHAN SHAW [GUEST] (35:14)

Certainly I’m not stopping. Unless I was unwell or not here anymore, there’s no reason to stop. And interestingly, a friend of mine said, when I turned 50, she said to me, it’s so amazing you’re doing all this new stuff at your age. was bristle, bristle, bristle, bristle. 50 was the most amazing, amazing time. I turned 50.

 

And in my fiftieth year I had my first solo art exhibition. I published my book. It was just bang, bang, bang, bang, bang, bang. And I thought, here we go. Yeah, it was the beginning. And it just keeps getting more and more interesting.

 

DI GILLETT [HOST] (35:56)

Yeah, that’s extraordinary. Now, coming back to collecting, must ask, given ⁓ I ⁓ am aware that you live in a ⁓ Sydney home in the inner city suburbs, so I’m going to assume it’s not sprawling, but you’ve got a three-foot tin robot behind you.

 

CLAUDIA CHAN SHAW [GUEST] (36:23)

meter.

 

DI GILLETT [HOST] (36:24)

Sorry, three meter robot behind you and you are a collector. What does your home look like?

 

CLAUDIA CHAN SHAW [GUEST] (36:33)

Well, it doesn’t look like yours, Di. It’s not minimal. It’s a cottage in the inner west of Sydney. And I like to say my husband and I are maximalists. So it is chock full of goodies. So I look around me. On every wall, there is artwork with about that much space between each image. So there’s artwork on every wall, virtually from floor to ceiling. Floor to ceiling books, display cases.

 

full of collectibles, tin toys, robots, ⁓ fossils. Everywhere I look, there’s something. And it’s interesting, because there’s two types of people who come to our house. Those who look around and go, I don’t know where my eye will rest. There’s just so much to look at. And those who walk straight through the door, sit down at the dinner table, and didn’t notice a thing.

 

DI GILLETT [HOST] (37:25)

extraordinary and nothing in between. but are there many of

 

CLAUDIA CHAN SHAW [GUEST] (37:28)

I don’t understand how that works.

 

Interesting. ⁓ Sometimes if we have a party and there’s a lot of people, it’s split down. Probably three quarters are spending the party just staring at objects and asking about the provenance or something. is. It’s pretty rich. And those who just say nothing, which is interesting. I can’t explain that. can’t explain that. Maybe it’s a option.

 

DI GILLETT [HOST] (38:00)

could be over

 

CLAUDIA CHAN SHAW [GUEST] (38:01)

could be overwhelmed or repulsive all this stuff I could not live like that they might be

 

DI GILLETT [HOST] (38:06)

be why

 

dust at all maybe maybe that’s concerning them yeah

 

CLAUDIA CHAN SHAW [GUEST] (38:11)

yeah what a terrible concern

 

DI GILLETT [HOST] (38:14)

What

 

a terrible concern. Exactly. That doesn’t leave time for saying yes to all these wonderful opportunities if you do that. So not only are you immersed in art, Claudia, but you have also been the subject of multiple Archibald Prize ⁓ paintings. Yeah. Paintings. Yeah. You have sat for how many?

 

artists at this point in your life.

 

CLAUDIA CHAN SHAW [GUEST] (38:46)

11.

 

DI GILLETT [HOST] (38:47)

Eleven.

 

CLAUDIA CHAN SHAW [GUEST] (38:49)

11.

 

So of those 11 sittings, ⁓ three of the artists are Archibald finalists. Four of those artists are finalists in the Salon des Riffusées, which is the other Archie. One is a finalist in the Porsche-Geech ⁓ Memorial Prize. ⁓ One is a finalist in the Doug Moran Portrait Prize. really, there’s only about two who didn’t get across the line with a major Australian.

 

portrait prize but yeah three times hung in the Archibald which is which is a thrill it’s it’s and it’s very flattering to be asked it’s it’s very

 

DI GILLETT [HOST] (39:27)

Lovely. But to be asked 11 times, that is extraordinary. ⁓ as a character for a portrait, I can see why. Once our audience who doesn’t know you, if anybody doesn’t already know who you are, they will be able to see that. What is it like having somebody else interpret you?

 

on canvas. How does that feel?

 

CLAUDIA CHAN SHAW [GUEST] (39:59)

It’s interesting, ⁓ yet another example of saying yes. Can I thank you? ⁓

 

DI GILLETT [HOST] (40:06)

Fingers

 

crossed and hope for the best.

 

CLAUDIA CHAN SHAW [GUEST] (40:09)

⁓ Sometimes when the artwork is unveiled, there’s a lot of trepidation because you think, how do they see me? What aspects of me are they going to choose to accentuate or ignore? Or do we just go face value? What do you see? ⁓ And on occasion when the painting has been revealed, it’s, ooh!

 

Ooh! Isn’t it big?

 

DI GILLETT [HOST] (40:43)

What’s that code for?

 

CLAUDIA CHAN SHAW [GUEST] (40:45)

Wow, it’s huge. you don’t always, sometimes it’s, while it’s flattering to be asked, sometimes it’s not always flattering as an end result. you know, you love everything in my eyes, in my eyes. But as a visual artist, I also respect 100 % whatever the artist comes up with because that

 

DI GILLETT [HOST] (40:59)

Yeah

 

CLAUDIA CHAN SHAW [GUEST] (41:14)

is their vision and that’s the way they chose to portray me for that painting. So I respect that but I don’t want to own all of them.

 

DI GILLETT [HOST] (41:26)

I was going, and that was going to be my question. Do you own any of them?

 

CLAUDIA CHAN SHAW [GUEST] (41:31)

I do. My husband Stuart calls this house the shrine. ⁓ She’s taken over. There’s one in the bedroom, there’s one in the spare bedroom, there’s one in the dining room, that’s only a little one. There’s one in the study in the hallway. Yeah, this is shrine. Yeah. So it sounds horrible, doesn’t it?

 

DI GILLETT [HOST] (41:37)

to Claudia.

 

No, no, and I must admit we have the good fortune of having, ⁓ my husband George has only been ⁓ asked to sit twice and the second time didn’t get submitted and ⁓ it was probably one of those paintings where we felt about it. But the principal one,

 

features in our entrance hall and it’s large, it’s not three metres, but it’s well over one metre and it is magnificent. is it a photographic portrayal of George? No, it’s the artist telling the story of his Armenian Greek lineage through the narrative on canvas and it is just

 

wonderful and it is a very cherished piece of art. So I can understand why Stuart has said build a shrine. think it’s a beautiful thing to do. ⁓ Beautiful thing to do. extraordinary. Well, what an incredible career. If you had thought back to all of those years ago as an 11 year old, could you have imagined half of this coming together that you would have said yes to?

 

CLAUDIA CHAN SHAW [GUEST] (43:21)

No, but interestingly, when I was little, when I was really, really young, I thought I was going to be a doctor. Ha ha. That didn’t last long, that dream, because I was hopeless at maths and science and would rather colour in the book instead of read it ⁓ for the maths. ⁓ But when I was at college, I did a degree in visual communication design at Sydney College of the Arts.

 

One of the first projects we had in first year was like a visual diary of where we saw ourselves. And in that visual diary, I had me sitting on a studio camera, you know, the old studio cameras that they wheel around the studio with a big camera on it, TV station studio camera, with an ABC logo on it.

 

And this is, you know, like first year of college. And I want, I’d always wanted to work in television. And when I wanted to be a doctor, I was also going to be an author. So it’s kind of interesting that the way that that turned out. And, and before I went into the family business and, and became a partner, my mother said to me, what am I going to do now that you finished college?

 

what are you going to do? And I was specializing in photography and film. And I thought I wanted to be a still life photographer as in product photography, make something simple, look beautiful. And my mother said to me, I offer you a partnership, not through nepotism, but because you’re capable. And if you worked with me since you were a kid, do you accept? And I thought, yeah, I’ll take a partnership over being somebody’s assistant. Big head, big head.

 

But that dream to be doing photography, now my visual art is expressed through photography and that’s what I exhibit. the dreams…

 

DI GILLETT [HOST] (45:27)

You’ve manifested it along the way.

 

CLAUDIA CHAN SHAW [GUEST] (45:29)

have

 

have come through yeah which is

 

DI GILLETT [HOST] (45:32)

Yeah, it is.

 

Well, there’s a lot of drive behind that, but there is a vision and a desire and a passion and a talent all wrapped together that has created this absolutely extraordinary career that you have built and absolutely exploded out onto the stage over the last 10 or 15 years. Quite extraordinary.

 

Some rapid fire questions to close for you today, Claudia. One yes that changed everything.

 

CLAUDIA CHAN SHAW [GUEST] (46:13)

Collectors.

 

DI GILLETT [HOST] (46:16)

Best example of where saying yes and working it out later paid off.

 

CLAUDIA CHAN SHAW [GUEST] (46:22)

⁓ taking on role as a curator for the Sydney Chinese New Year Festival for three years.

 

DI GILLETT [HOST] (46:28)

And finally, what advice would you give a woman who feels pulled in many directions but fears she should just choose one?

 

CLAUDIA CHAN SHAW [GUEST] (46:38)

You don’t have to limit yourself to anything. I don’t believe in that. Just because you train to be something doesn’t mean that’s what you need to be for rest of your life. Don’t be afraid to say yes. Don’t be afraid to have a lot of balls in the air. And if you feel frustrated, drop some of the balls. But go for something because it interests you, because you’ll learn from it, because you think you can master it. And if you don’t master it, use one of the other balls. But don’t limit yourself to one.

 

if that’s the way you’re being pulled.

 

DI GILLETT [HOST] (47:09)

Yeah, I absolutely love that. Claudia, you’ve just got back off a recent tour from Singapore. Are there more tours in the wind for 2026?

 

CLAUDIA CHAN SHAW [GUEST] (47:21)

Yes, in May I’m taking a group on an Art Nouveau tour to Spain and it’s from Gaudí to Guggenheim. So we’re going through Spain, we’re going to Bilbao to the Guggenheim Museum up there, we’re going to Madrid and then finishing in Barcelona to study the work of the wonderful Mr. Gaudí.

 

DI GILLETT [HOST] (47:41)

So how, if somebody’s interested in jumping onto your tours, how do they do that?

 

CLAUDIA CHAN SHAW [GUEST] (47:47)

So the tours are through the Art Gallery Society in New South Wales, the World Art Tours, but if they go to Renaissance Tours, which is renasancetours.com.au, and just type in Claudia Chan Shaw or Spain or look at the list of wonderful tours offered, they will find many, many special interest tours on the Renaissance Tours.

 

DI GILLETT [HOST] (48:09)

website. ⁓

 

CLAUDIA CHAN SHAW [GUEST] (48:17)

Yeah, Collectors is no longer up anymore, but the last show that I’ve been working on is Antiques Down Under, that’s available to watch online now.

 

DI GILLETT [HOST] (48:28)

nine now. Fantastic. So there’s plenty of Claudia available out there. But what I would like to close with today as just wrapping up everything that we’ve heard from Claudia today. I think ⁓ in essence, Claudia did that with the response to her final question of, do not limit yourself and this wonderful ⁓ resulting career that has come from

 

not being afraid to say yes, to take a risk and to work out the how later. Claudia is just an example of one of the most diverse, extraordinary and compelling careers that has come as a result of that. We have a fair dose of talent and chutzpah beneath it and the ability to sell because I think there is.

 

an ability to actually take that to market that underpins everything that Claudia has done. And then if you said, where does that come back to? There’s an enormous dose of self-belief and I can’t underestimate that enough. And if you have somebody in your sphere who you think needs to have a small injection of self-belief and

 

an example of taking a risk and what you can do. Share this episode and be sure to subscribe so you don’t miss the next upcoming one. Until next time.

 

Chapters:

00:00 The Power of Women: A Personal Journey

09:04 Claudia Chan Shaw: A Multifaceted Career

18:01 Legacy and Family Influence in Fashion

25:10 The Art of Collecting and Curating

34:01 Embracing Opportunities and Lifelong Learning

46:03 Advice for Women: Embrace Your Journey

 

Connect with Di:

Connect with Di on LinkedIn

Follow Power Of Women on LinkedIn

Follow Di on Instagram

The Power Of Women Podcast Instagram

Contact Di

 

Find Claudia at:

Website https://claudiachanshaw.com/

LinkedIn https://www.linkedin.com/in/claudia-chan-shaw-20706123/

Instagram https://www.instagram.com/claudiachanshaw/?hl=en

Facebook https://www.facebook.com/claudia.chanshaw/

 

This is the home of unapologetic conversations and powerful stories of reinvention. New episodes drop every Monday to fuel your week with insights on leadership, resilience, and success. Subscribe and join a community of women who are changing the game.

What’s one “yes” that changed your trajectory for the better?

 

💫 Subscribe to the Power Of Women Podcast on YouTube, Spotify, or Apple Podcasts

Your ⭐⭐⭐⭐⭐star review on Apple Podcasts or Spotify keeps these stories alive.

 

📩 Sign up for our newsletter where I share raw reflections and thought leadership on the Power Of Reinvention.

 

Disclaimer:  https://powerofwomen.com.au/podcast-disclaimer/

AI Won’t Replace You – However People Who Use It Will

AI Won’t Replace You – However People Who Use It Will

Artificial intelligence is no longer theoretical – it is actively reshaping careers, leadership, and relevance.

In this episode of the Power Of Women Podcast, Di Gillett is joined by Kelly Slessor, one of Australia’s most respected AI strategists, digital innovators, and retail technology leaders, for a deeply human conversation about what AI really means for women, work and leadership.

Kelly was building AI personalisation platforms years before ChatGPT entered the mainstream. Today, she works at the intersection of artificial intelligence, emotional intelligence, and human systems, advising businesses, educating leaders, and advocating for responsible, human-centred technology.

This episode moves beyond surface-level AI commentary to ask harder, more consequential questions:

Who becomes more powerful in an AI-enabled world?

Why fear is the wrong response – and education is the only viable one

Why women are underrepresented in AI leadership, yet uniquely positioned to shape its future

How AI data is shaped by men and women’s voices are paramount

How fostering children has profoundly shaped Kelly’s leadership philosophy, empathy and perspective

Why “balance” is a myth – and what actually sustains women operating at pace

This is not a conversation about keeping up.
It’s a conversation about agency, authorship and relevance, in a world that is moving faster than most organisations are willing to admit.

 

➡️We explore:

  • Why AI will augment people, not replace them
  • The real risk for leaders who delay AI education
  • How repetitive work will disappear and what replaces it
  • Why emotional intelligence is the missing ingredient in AI development
  • How women can leapfrog professionally by engaging with AI now
  • The leadership lessons Kelly learned through foster care
  • Why safety, belonging, and trust matter in teams and in technology

 

➡️Key Takeaways:

AI literacy is now a leadership requirement, not a technical skill

People who understand AI will outpace those who avoid it

Women’s lived experience strengthens, not weakens their leadership in tech

Education dissolves fear faster than policy or process

The future belongs to leaders who integrate HI (Human Intelligence) with AI

Connect with Di:

Connect with Di on LinkedIn

Follow Power Of Women on LinkedIn

Follow Di on Instagram

The Power Of Women Podcast Instagram

Contact Di

 

Find Kelly Slessor at:

Websites:

https://theecommercetribe.com/

https://tribegenai.com/

LinkedIn https://www.linkedin.com/in/kellyslessor/

Instagram https://www.instagram.com/theecommercetribe/

 

This is the home of unapologetic conversations and powerful stories of reinvention. New episodes drop every Monday to fuel your week with insights on leadership, resilience, and success. Subscribe and join a community of women who are changing the game.

 

Want more fearless, unfiltered stories?

 

✨ Subscribe to the Power Of Women Podcast on YouTube, Spotify, or Apple Podcasts

Your ⭐⭐⭐⭐⭐star review on Apple Podcasts or Spotify keeps these stories alive.

 

📩 Sign up for our newsletter where I share raw reflections and thought leadership on the Power Of Reinvention.

 

Disclaimer:  https://powerofwomen.com.au/podcast-disclaimer/

What Investors Really Look For in Female Founders

What Investors Really Look For in Female Founders

What actually makes a founder investable – and why hustle culture may be working against women.

In this episode of the Power Of Women Podcast, Di Gillett sits down with Dan Copsey – entrepreneur, investor, and Group CEO, to unpack what investors really assess when backing founders, particularly women.

This is not a surface-level conversation about confidence or pitching harder.

Dan reveals why honesty beats hype, why performative hustle culture is a red flag, and why many of the most investable female founders are undervaluing what they already bring to the table.

From founder-investor dynamics to gender bias in startup rooms, this episode delivers an unfiltered investor lens every ambitious woman in business needs to hear.

 

You’ll hear:

Why honesty is the #1 trait investors look for

The biggest red flags investors see in pitches

Why hustle culture is failing founders – especially women

What female founders are doing right but not articulating

How motherhood, life load and leadership are undervalued assets

What makes an investor–founder relationship succeed long-term

How to know when your business is truly ready to scale.

 

Dan’s advice:

Lead with who you are, not just what you’re building

Hustle culture is not a credibility signal

Don’t take money from the wrong investor

Protect your equity early

Be transparent about your full life load

Build sustainability into your success

Choose investors who bring more than money.

 

Dan said:

“Honesty is the single most important trait in a founder.”

“Hustle culture distracts from the true core of entrepreneurship.”

“If an investor can’t add value to your life, they’re not the right investor.”

 

📖 Read the full transcript of this conversation here 👇

FULL TRANSCRIPT:

DAN COPSEY [Guest] (00:02)

There’s a lot of sharks in the water out there, especially at the moment. They’ll want to take a lot of equity off you very quickly and people can get really lost in the fact that, cool, we’re half a million dollars, but maybe you’re losing some.

 

DI GILLETT [Host] (00:14)

Nothing’s

 

for nothing.

 

DAN COPSEY [Guest] (00:15)

An investor-founder relationship is almost like another personal relationship. You need to find the right person, need to find the right team. They need to add value to your life, just like a husband or a wife with no value to their partner’s life. You’ve got to work well together.

 

DI GILLETT [Host] (00:32)

One word that defines a great founder. Biggest red flag in a pitch.

 

DAN COPSEY [Guest] (00:35)

Honest.

 

arrows that go up. I watched her go and I’m you are unbelievable. You are unbelievable. And when I first met her, she was like, she’d had a bad day. And I met her through a networking group and she walked in and she sort of just unloaded on the entire group. And I remember grabbing her at the dinner afterwards and saying, hey, don’t give up. Don’t give up. I said, the reason why they are treating you like that is because they’re scared of you.

 

My name is Dan Copsey I’m a very driven entrepreneur. ⁓ I’ve had many experiences in my professional and personal life and I really enjoy ⁓ working with different people and being involved with people. think people, it doesn’t matter what you do in life. I think being around the right people and being part of, know, ⁓ and having good people to work with and take on the journey is what I really enjoy.

 

⁓ So yeah, so just a very driven, driven entrepreneur. think my father, I heard my father over say to a friend of his one day, Dan will either be flat broke or he’ll be a multimillionaire, but either way he’s going to keep going. So that’s, that’s who I am.

 

DI GILLETT [Host] (01:50)

Have you ever wondered what really makes an investor say yes? Is it the idea, the founder, or something less tangible such as conviction? I’m Di Gillett and welcome to the Power Of Women podcast. And what I love about this platform is the opportunity to showcase and celebrate the strength, resilience, and achievements of women from all walks of life. And joining me today is Dan Copsey.

 

And as you’ve already heard, is an Australian entrepreneur. He’s an investor and group CEO of TMSPC, which oversees a portfolio of advertising agencies, hospitality ventures, and not-for-profit initiatives. Dan’s coordinated more than 10 businesses, serving as an advisor to numerous founders and executives. And he championed social impact through projects like Partners in Progress Foundation and the Health CoLab.

 

He’s passionate about resilience, work-life balance, and building businesses for good. And with so many founders looking to scale or secure investment, Dan’s insights into what it takes to make a founder investable couldn’t be more timely. Dan Copsey, welcome to the Power Of Women podcast.

 

DAN COPSEY [Guest] (03:10)

I am privileged to be here. I very, very privileged to be here. I’ve been looking forward to this for a couple of weeks now ever since when I started talking.

 

DI GILLETT [Host] (03:20)

Thank

 

you. Brilliant. Before we dive into investing and scaling, you’ve built and co-founded and invested multiple ventures. So what landed you in that entrepreneurial space in the first place? Was it that line your father said?

 

DAN COPSEY [Guest] (03:38)

My father said that many years after I started all my multiple ventures. I think some people are born to work for people and then some people just aren’t made to work for people and they need to be blazing their own trail, so to speak. And I think that’s where I’ve landed. Although I’ve spent the earlier part of my career

 

you know, working for other founders and their businesses. I always found that within those roles that I really treated the business like it was my own. And I really, you know, and that was where my work ethic developed. But I think being an entrepreneur, someone asked me this a couple of weeks ago, what does being an entrepreneur means? You and I just said freedom. That’s it. It’s freedom. ⁓

 

You talk about work-life balance. I call myself semi-retired at the moment. I have a country of happiness and more time outside mowing the lawns than anything else. So, ⁓ but, just that once it’s very hard to build a business and it’s very hard to build successful businesses. And I tell you, it’s very hard to build multiple successful businesses. But once you get into that rhythm and once you once you have those wins,

 

And once you start building, it’s very addictive. It is very addictive and what it can do for you, your lifestyle. And it’s not, I’m not talking about making millions of dollars or anything like that, but what it does create for you within your life is, I don’t think you can replicate that anywhere else. And it allows you to really chart your own goal. I was listening to Simon Sinek this morning in an interview he was doing with a comedian.

 

And Simon says his works all about what the goal is at the end, not so much the journey. And he finds a lot of people focus on the journey and they get to the end bit and they realize it was the wrong goal. So I really, I really like that. And I really like that being able to work that goal backwards. You know, like you should do in wealth planning or business, a business plan or anything else. Why shouldn’t you do that in your life too? So I think that if you do that, and that’s, that’s why being an entrepreneur and

 

and doing what I do, you know, it allows me to do all that and that’s what I really enjoy and why I’ve ended up here.

 

DI GILLETT [Host] (06:06)

Dan, had ⁓ another entrepreneur, Mandy Gunzberger, the podcast last year and she has scaled five business successfully and sold a couple of those on. And she tells the story of she then after selling one of her

 

more recent businesses went back to the role of employee and she was fired three times. Shocked the first two times, not shocked the third time. Do you think entrepreneurs make good employees or are they wired differently?

 

DAN COPSEY [Guest] (06:38)

I think the real entrepreneurs are wired differently. was once told, I’ve been told by several ⁓ director, know, highly placed sort of director friends of mine that I’m unemployable ⁓ to them because they would need a team around just to manage me. So, ⁓ but I guess that’s the thing though, like, you you think about just the Australian economy alone, where would the Australian economy be without entrepreneurs?

 

you know, entrepreneurs who want to go out and start businesses and even if it’s just as small as a small lawn mowing business or a makeup business or something like that, that’s an entrepreneur that is creating a macro economy that might be employing someone, it might be employing someone who necessarily couldn’t be employed anywhere else, you ⁓ I think, you know, one of the big things that was really learned over the last, I don’t know,

 

Even I mean not just through the pandemic but prior to the pandemic it was already starting to change, know, the flexibility in the workplace and things like that. You know, I think, you know, big corporates struggle to they say they want to give that balance but they struggle with it, think. So just a rigid framework when you get the smaller entrepreneurs, most of our employees in two of our businesses, you know, all work remotely.

 

So, you know, and I don’t really want to know when someone’s got a doctor’s appointment and I don’t want to know when someone’s going to take the kids to school, pick the kids up, go and do it. Go and do it. As long as the work’s getting done and the clients are happy and everything like that and the bills are getting paid, then I’m happy.

 

DI GILLETT [Host] (08:18)

I think there’s a nimbleness in the entrepreneurial business compared to corporate too. mean, corporations spend hours and hours around boardroom tables strategizing and it takes a long time to get any inertia to move things on. I think that the speed of entrepreneurial business is really quite contagious if that’s your thing. ⁓

 

DAN COPSEY [Guest] (08:41)

100

 

% correct and it’s one of the hardest things to keep within your business as you grow it and as you scale and you become bigger it’s one of the hardest things is to be able to keep that nimbleness and that you know that level of productivity and whatever else you want to call it know that fast action and being able to action things

 

DI GILLETT [Host] (09:01)

It’s the magic of what made them great and then the scale and all the operational processes come in and it loses what was the whole point in the first place.

 

DAN COPSEY [Guest] (09:13)

And I think you can get, well, in my opinion, excuse me, you can get too big. And that’s not for me. mean, we have quite a large number of head count across all our businesses, but I don’t want to be this hugely global corporation where I don’t know who’s working within my business and what skillset they are and what footy team they’re bearing for. That to me is quite important to be able to talk to all our employees on each level.

 

And I think that proves in itself too, we have some very long tenured employees, we have staff that have been with us ⁓ since the beginning and they’re still with us. So I think that speaks volumes in itself.

 

DI GILLETT [Host] (09:56)

Yeah. So what lessons stand out the most in terms of getting a startup off the ground?

 

DAN COPSEY [Guest] (10:03)

Don’t say yes to everything. I think that’s one mistake that a lot of entrepreneurs ⁓ make. They say yes to everything, ⁓ which I think in the end, it’s very early. It’s very easy for me to say that now being established and having clients and everything like that. And I can pick and choose the type of clients that we want to chase or we want to work with and things like that. And it’s not as easy in the early days. But I think selling your soul. ⁓

 

to a client and over delivering in the early days can really hurt you ⁓ over the long term because that expectation is set and then your worth is not what it should be ⁓ and then you struggle to upsell based on that and whatnot. So I think saying yes and it’s a mistake we made right in the start because we were keen to get every client we could ⁓ and get every little bit of revenue at the door. So we were happy to say yes to anyone and I think

 

looking back on it now, there’s probably about 10 clients that I wouldn’t have taken on again, ⁓ just because of certain circumstances and stuff like that. I think saying yes to people, ⁓ think it needs to be a very considered approach. Stick to your guns, stick to your worth, stick to your values. I think that’s pretty important in those early days, I think. ⁓ And if you can do that, it’s like ⁓ working through a bad economy. If you can work through a bad economy and

 

and hold your business and bring it out the other side, you’re going to be much stronger for it on the other side.

 

DI GILLETT [Host] (11:34)

Yeah, I think that’s right. So having worn the hat of both founder and investor, how’s that shaped your view on how you assess opportunities today?

 

DAN COPSEY [Guest] (11:47)

So we always look at the founder first. When I say we, I’m talking about myself and Alex and Adam, my business partners, but we always look at the founder first and what type of person or people they are. And I think the biggest misconception around entrepreneurship and founders and starting a business and everything like that over the last

 

10 years has been this hustle culture. And the hustle culture of, you you having to wake up at 5 a.m. and have a cold blunge and, you know, and then grind all day and things like that. I’m like…

 

DI GILLETT [Host] (12:27)

I’m going to blame you guys for that.

 

DAN COPSEY [Guest] (12:29)

Yeah,

 

well, that’s fine. That’s fine. That’s fine. You know, and look, I have a sauna and I enjoy sauna and what I’m not a plunge for a cold plunge, but it’s not it’s not, you know, this hustle culture that is is brought in into entrepreneurship is really distracting, I think, to what, you know, founders and the true the true core of a founder and what they should be like. So I always, you know, I like to

 

you know like to invest and we like to work with honest people, transparent people ⁓ I don’t want to know and I don’t need to know on your socials that you got up at 5am and and did a cold plunge and a run and then you and then you did your emails that’s I don’t to me to me that’s you know can be can be very off-putting yeah so we looked like to look at the really the the who the people are who the person and what their background is you know

 

DI GILLETT [Host] (13:23)

How do you do that due diligence, Dan? How do you actually get to know them?

 

DAN COPSEY [Guest] (13:27)

You speak to them. You speak to them. I won’t invest in business. We won’t go near a business. We have two very core principle frameworks that we work around when we invest. One is that we need to be able to add ourselves as a group, need to be able to add value to the business. We don’t like to be a passive investor. We like to be involved. And depending on what the startup or the business requires, we like to be able to fill a role and add value where we can.

 

So we don’t like to just throw money at things and then sit back and let someone else do it. We want to make sure that we can be part of the team and add some value to the journey if we can. And then two, it’s all about the founder. If we can’t sit down and like I said, I like to say break bread with the founder and have a meal, have a drink, have a beer, whatever it may be, and really chat and really get to know who they are, their family, you know.

 

where they’ve come from, know, what sort of upbringing or those things all, all, you it does, it does, you know, it really does. And I think not a lot of people sit down and actually get into the nitty gritty of it. It’s great that you might have the next AI startup, whatever it is, but you know, what’s your family like? You know, do you have children? know, to me, to me, you know, that’s, you know, and I don’t want to know why you want to

 

DI GILLETT [Host] (14:29)

love you a lot.

 

DAN COPSEY [Guest] (14:53)

you know, gender, stereotypia at all, but anything like that. But like, you know, a woman who has three children and also is involved in the startup, to me is a very worthwhile risk to take on investment business if she can do all of that. You know,

 

DI GILLETT [Host] (15:10)

Juggle all of that,

 

DAN COPSEY [Guest] (15:12)

⁓ You just go back and you look at, I like to term you coming from good stock. I like to know what people’s parents are like, what their family was like, things like that. You meet a lot of people who, I mean, I came from very middle class. My mom was a teacher, my father was a police, I have two brothers, and they’re quite successful in their own rights, both of them.

 

⁓ We had good values instilled in us. We all had law mowing jobs or paper delivery jobs early on in life. We all worked at Safeway back in the early days and whatnot. ⁓ My mom came from the country, so she brought a lot of good country value with her and her bigger family. My dad was a policeman, so he had all that sort of…

 

respect the law and everything like that, which I think is very important. you know, I would like to think that I’m, you know, a good investment for ⁓ a potential ⁓ investor. And I like to sort of go around and try and find people like that behind great ideas, because I think, you know, the other ones that are investors, sorry, entrepreneurs will make mistakes, business people will make mistakes, money will be lost. ⁓ Startups won’t get off the ground and everything like that. But I think

 

if it’s all done with good intentions, with the right people, I think that gives the best opportunity to get off the ground. And we’ve lost money on investments and that happens as part of the journey.

 

DI GILLETT [Host] (16:48)

Yeah, and I would say equally to an entrepreneur to be doing the due diligence back on the people that they’re looking to get into bed with. And I say that whether you’re a candidate going through an employment process to join an organization and people complain about how many times they have to meet or how many people they have to meet. And I say that’s actually the good scenario. You want to be able to lift the lid.

 

and get to know who you’re getting in bed with. I think all of that works both ways and it’s critical that it works both ways.

 

DAN COPSEY [Guest] (17:23)

It’s 100%. And you know, knowing your background day and you know, I was listening to you on the James Stewart podcast, you know, the other morning to like, you know, how you how you have to operate in that space. And we have a recruitment agency, the good crowd, and Ben and Arby and the team that run that they spend a lot of time making sure that you know, the candidate knows who they’re interviewing for and vice versa and things like that, because you can’t just mash these people together and hope it all works on paper, it’s not going to work because a lot of

 

synergies there and you know I’ve had the same thing employing people over the years you know we’ve got to make sure that we’re bringing the right person ⁓ into the ecosystem, into the culture that we’ve built or that we’re trying to build you know and it’s you know it’s like trying to you know put a puzzle together at the entire time but that’s the same yeah like you know any founder out there needs to be doing the research on the investors because a lot of different type of investors out there too you know.

 

DI GILLETT [Host] (18:23)

Some might want to invest to build and some might want to lean it down to sell it at a maximum profit and that looks very different.

 

DAN COPSEY [Guest] (18:32)

PE companies, private equity, want to come in and flip around, turn around. They’ll be looking over your shoulder the entire time. They want to take a lot of equity off the table. Especially when you’re in that very early stage, founding, you want some very founder friendly ⁓ investment terms. ⁓ And you’re probably not going to find that through a PE company, but you will find that through like a high net worth individual who looks at it goes, hey, this is a great idea. Yeah, I’m keen to give you some money, but I also want to value, I can bring you my networks here and I can help you with this and help you with that.

 

and not take a lot of equity off the table because I know if it gets to going where it needs to go then that little bit of equity they get at start will be worth much more down the track anyway.

 

DI GILLETT [Host] (19:13)

Yeah,

 

that’s right. So in balancing sort of burnout and balance, probably two things entrepreneurs really do struggle with because the hard yards to get something off the ground and particularly if you’re passionate about it and it’s your baby, you’re inclined to really get into the weeds. What’s your experience taught you though about being sustainable on an ongoing and longer term?

 

on the basis of energy and output and commitment.

 

DAN COPSEY [Guest] (19:44)

First of all, have a good partner. Whether you have a good wife, a good husband, you need a good partner and they need to understand what you’re doing. I’m very lucky in the fact that my wife was very understanding and she’s been along for the journey, the highs and the lows. And she’s still here today, which is amazing. you know, she’s, we don’t have children, but she’s, you know, she has her own sort of high pressure corporate job herself. So, you know, to,

 

to coincide that with the journey that I, and I’m not just taking myself on it, I’m taking her on it with me. So, to be part of that. ⁓ The other thing that I learned along the way is ⁓ you need to look after yourself physically. That is one of the biggest things that ⁓ I learned along the way. I think, suddenly enough, I you and I used to, I still train with Will, I believe you used to train with Will.

 

DI GILLETT [Host] (20:40)

used to change with Will, yeah, not anymore. I’m in the old people’s gym now. what I call Kesa, no offence to Kesa, but I do call it

 

DAN COPSEY [Guest] (20:50)

We

 

should be there as well. But anyway, ⁓ so but we’ll one thing will will taught me in those ⁓ in the early days of training with him is, is he’s not so much about getting in there to move weights for the sake of moving weights, it was to get in there to move your body and get your mind going. And that was, you know, if a good a really good gym session or run or walk or whatever it may be physical exercise, right?

 

DI GILLETT [Host] (21:13)

You’ve got to build it into your schedule. It’s a non-negotiable.

 

DAN COPSEY [Guest] (21:17)

Yeah,

 

after, So I, I, I do, I train three times a week just in the gym. Nothing crazy. Yeah. Yeah. I also walk an average of 12,000 steps a day, but I build that.

 

DI GILLETT [Host] (21:23)

As

 

⁓ on the same track Dan, it’s exactly same. But weight training and resistance training is an absolute must, particularly as we get older. And mentally it opens up your mind after you leave your desk or whatever meetings you’ve been in.

 

DAN COPSEY [Guest] (21:47)

Yeah, and the third thing that I found out of my journey too is just be careful around alcohol, alcohols, even if you’re just a social drinker, you know, it just, can vary, it can give you a lot of brain fog. And people don’t notice that. you know, I remember at the start of 2020 before we even knew what the pandemic was, I actually

 

made a New Year’s resolution to give up drinking for the year. Because I just had this inkling that 2020 was going to be a big year for me, for my business, everything like that. So I’m like, you know what, I don’t want that distraction. So I gave up drinking. Well, it was fantastic. And everyone just thought it was, how can you not be drinking? We’re all sitting at home doing nothing for that entire year. How can you not be drinking and things like that?

 

DI GILLETT [Host] (22:30)

What did that feel like?

 

DAN COPSEY [Guest] (22:42)

Um, I just, I, the clarity that it gives you was unbelievable. I wasn’t a drinker beforehand. You know, I’d go out to dinner, we’d have a bottle of wine, you know, whatever. I’ve never been a big beer drinker, I might have a bottle of wine or a cocktail or whatever it may be. But I did notice after that year, um, after 2020, um, when I did start, you know, I’ll pick up drinking and that it had reduced right down. It reduced right down to the fact that I hardly drink now.

 

 

DI GILLETT [Host] (23:12)

And it’s not until you take something out that you know, and I know I’ve done much the same and it’s only the occasional drink in a social setting and the wine industry is probably struggling with a lot of people making the same decision though because we’re not drinking at home or drinking as much.

 

DAN COPSEY [Guest] (23:33)

We see that through the pubs that we’ve been involved in over the journey into like, you know, the intake of alcohol has dropped considerably.

 

DI GILLETT [Host] (23:39)

As an investor, you subtly looking at all of these things in, so I mean, I, I think going out to dinner, yeah, cause I think going out to dinner is never just going out to dinner. think, you know, you’re, you’re clearly being assessed in that process of how you handle yourself. Is, that not the case?

 

DAN COPSEY [Guest] (24:00)

I look for the party bit. I look for the party bit because the party bit, you know, I’ve seen that over my journey, you know, I spent my early 20s and whatnot in nightclubs and as everyone else did, you can tell things and tell those things about people. And I want to make sure that people are asking for money or for investment for the right reasons too, not that it’s going to.

 

fuel a lifestyle over here and what not. And I think that’s regardless of the lifestyle that fuels if it’s drugs or alcohol or, you know, fast cars or whatever. think there’s a there’s a time to have all that. But, you know, I think you need to show you being respectful and transparent with the money that’s been given to you to run a business. like I’ve seen so many insolvencies over the last three or four years, businesses that have gone into administration or liquidation.

 

And you see the amount of wages that directors are paying themselves and tax bills that they’re running up. I’m just, my mind boggles at some of that. the businesses that are two or three years old and the directors are taking $250,000 a year out. Plus there’s a Tesla in there. It’s unbelievable.

 

DI GILLETT [Host] (25:13)

I started with the wrong raisin.

 

DAN COPSEY [Guest] (25:15)

Exactly, exactly. I mean, I sat on $50,000 a year for the first seven years, if not more. So, you you’re getting into it for the wrong reasons, I think.

 

DI GILLETT [Host] (25:27)

Okay. Well coming up, we’re going to talk about the gender divide in the startup world and what’s shifting it and what isn’t and why most investable founders typically don’t look like the stereotype.

 

If you’re loving the Power of Women podcasts, be sure to jump onto our YouTube channel and hit that subscribe button to ensure you never miss an episode. I’m talking with Dan Copsey, entrepreneur, investor and advocate of women in business. Dan, let’s talk about the gender divide in entrepreneurship. From where you sit as an investor, what do you see as the biggest challenges?

 

DAN COPSEY [Guest] (26:10)

Factful there’s more male founders out there than female founder. Yeah, that’s just how it is and you know, right wrong or indifferent. That’s just how it is. I think My advice to I’ve done some work I’ve do a lot of work with female founders and and even just in advisory positions and probably the the ladies that I you know that I’m just advising for and I have one particular

 

company that I won’t mention who they are but they’re fantastic these two ladies right they are in the HR space they have one has two children the other one has three children one of them her husband’s another founder and he’s going to running a tech company and the other one they’ve a lot going on and I just look at these two and I go you are very intelligent super intelligent very driven right but lack confidence in a room and

 

DI GILLETT [Host] (26:56)

going on.

 

DAN COPSEY [Guest] (27:09)

And I look around and I just like, guys, I would listen to what you guys have to say all day long every day. think you’re both fantastic. Like, and I know other people would once you get out there. I really think sometimes, you know, I just it’s a it’s a real lack of confidence sometimes, which but then I started looking at it go, why is that? So maybe but then I was I was in ⁓ a networking group with these with one of these ladies.

 

DI GILLETT [Host] (27:11)

extraordinary.

 

DAN COPSEY [Guest] (27:40)

And I looked around at the rest of the group and this lady, she probably very similar age to me, know, sort of mid forties. And then I’ll look around at the rest of the group and they were like quite older than us, you know, and a lot of a lot very male dominated. And I’m like, right. And I just saw how those sort of blokes acted in that scenario. They were talking over everyone over their opinions and this and that, whatever. And then you just see ⁓ the this lady

 

⁓ just sort of, you know, just sit there and listen and just disappear into it. I thought you’ve, you’re more intelligent than these guys and you’ve got more to say than these guys. These guys are just verbal diarrhea almost like coming up with what they’re saying and nothing original, no original thoughts and whatnot. I you’ve got all this you should. And I actually pulled her aside afterwards. I said, you have to interject yourself in there and just really, you know, get the elbows out and push through. And I said, it’s really sad that you have to do that.

 

But that’s how it is, right? You’ve got my support and I’m sure you have other people’s support. But, you know, and then I watched this same lady in another environment where the general age was probably a lot lower than our age. you know, not Gen Z, but sort of that millennial in between there. I’m actually millennial. I was 1981, but I call myself Gen X because I just amused.

 

DI GILLETT [Host] (29:02)

I’m actually a boomer Dan, but there you go.

 

DAN COPSEY [Guest] (29:06)

I like the music generation X is better, so I’ll try to do anyway.

 

DI GILLETT [Host] (29:10)

Well,

 

I’m on the cusp.

 

DAN COPSEY [Guest] (29:13)

But

 

there are millennials in this group and it was funny because she really got into that group and could really, you know, and she really dominated, but was part of the conversation.

 

DI GILLETT [Host] (29:22)

But

 

she felt intimidated generationally.

 

DAN COPSEY [Guest] (29:25)

Yeah, and I just thought is this this is this a thing and and it makes a lot of sense like when you go back and I mean listening to some of your stories the other day with James Stewart like you know you’ve probably had some of that and I listened to it was funny that same morning I listened to your podcast I listened to Mark Boris interview Ida butt rose and

 

Yeah, it’s great. And she’s like no nonsense lady who but she’s she’s been shaped like that over the years of dealing with, you know, the Packers and whatnot is older.

 

DI GILLETT [Host] (29:58)

circumstances start to create the character so maybe maybe what you’re observing is somebody who just hasn’t had enough runs on the board yet to shape her

 

DAN COPSEY [Guest] (30:07)

Yeah, but you see it around a lot. ⁓ know, and I know we’re going to talk about Jess and Bri in a moment too, those two ladies are fantastic. Like, back those guys every day of the week. They are just unbelievable. it’s almost, ⁓ it would be very threatening to be in a room with them if you are sort of like ⁓ anyone, female or male, that was sort of, you know,

 

DI GILLETT [Host] (30:34)

I think a very strong, confident and then a tall female is more intimidating to me than any male could ever be.

 

DAN COPSEY [Guest] (30:44)

100 % 100 % % Yeah, yeah. Look, I just, you know, I want to support the founder, male or female based on who they are and what they’re bringing to the table. But a lot of the time, you know, when we do come across female founders, you really look at them, know, are they a mother? What else have they got going on in life? Because females carry the majority of the household with them.

 

DI GILLETT [Host] (30:46)

always felt that way.

 

DAN COPSEY [Guest] (31:14)

you know, traditionally, like always have, right, you know, ⁓ you know, if they have children, they’re dealing with, you know, if they’ve got three children, they’re dealing with three sets of emotions, three sets of personalities, not to mention their husband, you know, add a fourth one into the mix. So they’re carrying all that. Then, you know, there’s a lot of things to do in the household and whether the household is split in the mail helps with, you know, the housework or whatever, however it looks, you know, they’re bearing a lot more.

 

Yeah. And you just think, and you want to do a startup on the back of that, like 100 % I’m backing you every day of the week. Cause you know, like anyone who has, I think you’re slightly insane. That’s great. Cause you need a little bit of that to be an entrepreneur. Let’s go. Let’s say I’m on board with that every day of the week. I it’s just fantastic. I mean, I watch it. My mom wasn’t an entrepreneur, but she, she raised three boys. She worked full time the entire time. Um, and you know, everything around my dad, you know, he was

 

like I mean he was always, my dad was very good. was always around the house. Yeah but he did a lot of shift work and very stressful you know and like you know he was in the highway patrol and whatnot so a lot of there’s a lot of trauma issues and whatnot that he would have experienced every time so a lot to bring home too you know into the home environment and then for the mother to sort of like you know navigate all of that too so there’s lot going on but then I thought well my mom could have probably run a business very easily.

 

on top of everything I actually did.

 

DI GILLETT [Host] (32:41)

Maybe that’s where your genes have come from.

 

DAN COPSEY [Guest] (32:45)

I’m

 

dead. But you know, it’s, I just, yeah, I just, I just think, ⁓ just, sometimes you just, and I see them, I see it more often than I would like, these very intelligent entrepreneurial women, and they’re just not putting themselves out there as much as they should, I think.

 

DI GILLETT [Host] (33:04)

I’ve had a number of podcast conversations about this. I’ve got, we’ve just done one with with Shori Archibald and I did one at the end of last year with Carly Lyon and it is a common point that so many people are good at putting their brand or their business out there but not themselves. So it is a very, very common point. But I mean we talk about

 

⁓ female founders, the difficulties in raising capital and the reluctance they find at various turns of individuals investing in them. But conversely, what strengths or differentiators do you see women bring to the table that they should be putting forward in their pitch or in their deck or just the whole

 

storytelling of why invest in me as a female founder.

 

DAN COPSEY [Guest] (34:04)

Well, I think just to go back on what we just talked about, like I wouldn’t laugh if I saw a female founders resume and says I have three kids and this is what I do with these children and that’s a job. That’s a ⁓ part of my career. Like, because I would just go, there are some serious life skills in there that you are developing and putting to use. Right. So that’s a whole job and career. So, you know, I would, you know, I would encourage, I would encourage female founders to talk about, to talk about that sort of stuff.

 

DI GILLETT [Host] (34:24)

That’s job one.

 

DAN COPSEY [Guest] (34:34)

being a mother, being, you know, all those sort of things that they have to do. That’s the life skills that you developed through during doing that is unbelievable. And so I think that’s one of the big things that people don’t think about when they look at females.

 

DI GILLETT [Host] (34:48)

So bring the whole person to the table.

 

DAN COPSEY [Guest] (34:50)

Bring

 

the whole person to the table because that is what essentially well from where we sit that’s what we would invest in. That whole person. You know bring it to the table who you are right because there’s going to be times right when and I’ve seen it there’s going to be times when it does get too much right you know kids might be acting up or there might be a problem with the kids or whatever and everything it’s can be extremely overwhelming right and you’ve got you’re going to have moments where it gets too much right.

 

But you need to, the team around you needs to know like, hey, that’s, I’m not just here being an entrepreneur and a founder. I’ve also got this whole career going at home that I’m dealing with from, you know, the time I stop here and go there. And as an entrepreneur and a founder, especially the way we deal across the globe at the moment, we’re a very global community now, you know, there’s no time to switch off.

 

being an entrepreneur, there’s no time to switch off. you know, people are trying to get at you all days of the week, know, and technology allows Adam and whatever else. So, you know, just to see these women go and manage that and manage home, you’re just like, wow, that’s, you know, it’s unbelievable. So and you just have to, I think as a, as a male, right, involved with these female type founders, these female founders, you have to be very supportive of that. You have to recognize that.

 

and you can’t go, oh, what do mean? You’ve got to go home and deal with the kids or can’t someone else do that or can’t you get a nanny or whatever? You’ve got to be supportive of that. If you don’t realize that when you’re going in, then you’re in the wrong investment working whatever relation.

 

DI GILLETT [Host] (36:27)

I think conversely the entrepreneur needs to put it all on the table up front because you can go in and declare everything, it’s very difficult to try and add it in after the event because that looks like you’ve been withholding. So I think laying it bare from the outset is the only way to go.

 

DAN COPSEY [Guest] (36:48)

Yeah, yeah, yeah. Look, you know, I work with a founder at the moment. She’s a founder in the construction space. She’s an amazing lady. ⁓ And she and her partner ⁓ have just had a little baby. So they’ve got a little baby girl. And she’s working in an industry which is so male dominated and so skewed against her from the start. It’s unbelievable. ⁓ And then she’s also a mother.

 

And she got a very supportive partner. He’s fantastic, right? But he he’s not the entrepreneurial drive that she is, you know, and I just I watch her go and I you are unbelievable. You’re unbelievable. And when I first met her, she was like she’d had a bad day and I met her through a networking group and she walked in and she sort of just unloaded on the entire group. And I remember grabbing her at the dinner afterwards and say, hey, don’t give up. Don’t give up. I said the reason why they are treating you like that is because they’re scared of you. That is it.

 

They’re scared of you and how you operate and how quickly you will make them all look silly. That’s just that’s just the truth. And I’ve been in that industry. been in the construction space and I’ve seen what female entrepreneurs and how quickly they could dominate that space. Right. And said, you’re you’re copying a lot because people are scared of you in that space. Don’t give up. And then we formed a very good friendship. Yeah. And I was just like, you know, just don’t give up. Whatever you do, don’t give up because then they win. Right. And it’s you know, that’s

 

DI GILLETT [Host] (38:07)

Good observation. ⁓

 

DAN COPSEY [Guest] (38:15)

And it can be a game for a lot of people. don’t realize, they don’t realize to, you know, when you get those male dominated industries and you start putting a lot of pressure on a female, especially a female founder, she has to go home and she’s got to deal with that. But then she might have children. So she’s got to deal with all that. Like it’s a huge emotional load to take on, you know, professionally, personally, the whole life.

 

DI GILLETT [Host] (38:38)

Yeah, it’s good training ground, Some of those badly behaved blokes in the workplace might be a walk in the park.

 

DAN COPSEY [Guest] (38:46)

It’s a great skill to have. It’s a great skill to have, you know. So, you know, they become unbelievable negotiators because they go from negotiating with a four-year-old in the morning to negotiating with a 44-year-old in the afternoon.

 

DI GILLETT [Host] (38:59)

But there might not be a lot of difference sometimes.

 

DAN COPSEY [Guest] (39:01)

I’ll win both those arguments, I think with a cookie. So yeah, it’s just like, you know, I just, there are so many, so many wonderful, super intelligent, super driven female founders, especially in the Australian ecosystem, especially in Melbourne, right? That I don’t think get the exposure that the kudos. Yeah, it’s amazing, you know.

 

DI GILLETT [Host] (39:28)

And you’re working with a few of those at the moment. You’re working with a couple of powerhouse female founders, those behind Frank Boddy and Willow and Blake. What did they get right that other female founders could learn from?

 

DAN COPSEY [Guest] (39:44)

They just never took no for an answer. two, they are fantastic. They’re like yin and yang. Jess is unbelievable. She’s, you know, the penultimate out there, you know, found a leader. ⁓ know, she’s on panels. She has a great network and she’s out there and people, you know, listen to her and value what she has to say. then,

 

DI GILLETT [Host] (40:08)

Distinct

 

to the woman who wasn’t confident to speak up, Jess has been visible.

 

DAN COPSEY [Guest] (40:13)

Yeah, correct. then, Bri, Bri is a bit more introverted. She’s probably, you know, she’s the operational brain behind everything and works in behind the scenes. But again, those two have developed such a following. And I’ve watched them, I watched them, I watched them run an event recently, you know, it was fantastic. And you know, they have the ear of some wonderful, extremely powerful

 

people, you know, they had the editor in vogue at their recent event and she was just hanging off every word that they had to say. you ⁓ know, they just, you know, when the opportunity came to invest in their business and be a director alongside them, at first thing I said to them, when we sort of jumped on our first zoom to sort of all meet each other properly and have a chat and, you know, sort of get to know each other.

 

You know, it was all about, you know, I wanted to know about families and whatnot and their partners and what they all do and everything and their children and everything like that. And then I said to them, because they asked me, why do you want to be involved? said, why wouldn’t I want to be involved? Why wouldn’t I want to be involved? Look at you two. You’re like, you’re unbelievable.

 

DI GILLETT [Host] (41:27)

So it was people first that attracted you as an investor versus the idea?

 

DAN COPSEY [Guest] (41:31)

Yep, yep, 100%. Look, I’ve been around a long time. Their work speaks for itself. And I think not what they touch turns to gold, but I know they know how to work a product very well and get it to market. know, Frank Body started off as a case. ⁓ They started Frank Body as a case study for Willow and Blake. Frank Body turned into a hundred million dollar business. They started it just because they didn’t have any. They wanted to get a lot more work in that.

 

genre for Willow and Blake, but they didn’t actually have any runs on the board yet. So they went and started a small, you know, know, business and turned into a hundred million dollar business. mean,

 

DI GILLETT [Host] (42:11)

Yeah, well, that’s a hell of a side hustle, isn’t it?

 

DAN COPSEY [Guest] (42:15)

This is

 

last side hustle and you just watch them and you know, they have they have they both have both have two children. I’m pretty sure they both have two children. Yeah. You know, they have fantastically supportive husbands ⁓ and you know, but they make time for their family and they make time for ⁓ their professional side of things. And one of the first things I did with Jess early days is right. Cool. When can I not contact you? When is family time? Tell me when family time is so can respect that.

 

And she’s like, oh yeah, cool. is great. Cool. Well, I’ll just have a little note here and I, you if I’m trying to get hold of you or whatever, and it’s family time, then I’m not going to bug you. So, you know, cause that’s, um, I think that’s very important. Like I said earlier, you got to respect that you’re getting involved with, you know, um, female founders like that. need to respect that they have this other career going on outside.

 

DI GILLETT [Host] (43:05)

So I think in listening to that Dan, my takeaway for anybody listening is you’ve got to find a marriage between yourself and your investor because if you’re the opposite who’s on the phone at 6 in the morning and 10 at night, you’re probably not the right investor for the woman with family life and boundaries as well.

 

DAN COPSEY [Guest] (43:34)

Correct, yeah. An investor-founder relationship is almost like another personal relationship. You need to find the right person, you need to find the right team. They need to add value to your life, just like a husband or a wife would add value to their partner’s life. You’ve got to work well together. That’s exactly how an investor relationship should work. Don’t take on the investor just because they’ve got money.

 

Bring an investor on because they value what you’re doing, they value the type of person you are, and they can add value to what you’re doing, not just money, not just

 

DI GILLETT [Host] (44:08)

Yeah, that’s important. So for those who’ve already launched a business, are the key signals that a business is ready to scale? And then how do you know when it’s time to go out and seek that external investment?

 

DAN COPSEY [Guest] (44:24)

I think it all works down to the growth plans. We talked a little bit before Simon Sinek and how he looks at the goal and then works back from that. A lot of people work the other way around. I think to really pinpoint those points in your startup where you want it to, you know, this is the next stage. This is, I’m going to hire X amount of head count here and so on and so forth. think to have those goals clearly set out ⁓ is really, really important.

 

It’s depending on the product and the service and whatnot. It’s really hard to know when to scale. mean, like, you know, I take a lot of my businesses. I want to go from zero to hero very quickly. ⁓ And it’s all in our game in the agency world, like recruitment and advertising. It’s all about revenue. But the models changed considerably. Like we’re doing we’re doing a lot more revenue now with a lot less headcount, you know, and that’s not because of AI or anything like that. It’s just because we’re being smarter.

 

DI GILLETT [Host] (45:22)

Times

 

have changed.

 

DAN COPSEY [Guest] (45:23)

Yeah, and that’s just it. So to have those revenue points and be prepared, I think a lot of people are too scared to take on big opportunities as well. Like, know, fake it till you make it. You know, that’s, you know, I think, you know, if Alex and I and Adam and the team sort of hadn’t had that motto early days, fake it till you make it, we probably wouldn’t be where we are today. We said yes to a lot of things we probably shouldn’t have said yes to, but we made it work behind the scenes.

 

DI GILLETT [Host] (45:53)

how to do it afterwards. Yeah, and I think that’s a classic entrepreneurial trade. mean, the opportunities there, take it and work out the mechanics after the event.

 

DAN COPSEY [Guest] (46:03)

Yeah, yeah. So, you know, those big opportunities can come on. I think you just got to you got to know when the right opportunities in front of you, because that’s one that’s going to make you scale, you know, and take you to the next level. And then you scale along the way. Scaling is not all about just putting on headcount. It’s not always about just getting new clients and whatnot. It’s, you know, it’s about, you know, making sure that underlying operations in your business are working well, know, the finances working well, you’ve got enough funding, you know, if you want to take on investment.

 

Take on investment in the right frame of mind and the with the right attitude. I think don’t just take on investment, you know, because, you know, someone so wants to invest in you or you want to take some money off the table. What is that angle? Are you building whatever you’re building to sell it? Right. Cool. Well, then you might take some money off on the table along the way to sort of de-risk yourself. ⁓ But there’s a lot of sharks in the water out there, especially at the moment.

 

You know, they’ll want to take a lot of equity off you very quickly and people can get really lost in the fact that, cool, we’re half a million dollars, but maybe you’re losing 75. Yeah, So just find founder-friendly terms. That’s, know, someone who doesn’t want to take a lot of equity at the start or they want convertible notes or they’re going to…

 

DI GILLETT [Host] (47:10)

Thanks for

 

DAN COPSEY [Guest] (47:23)

sweat equity is a really good thing in the market at the moment we do a lot of that too rather than put cash in we’re putting services in so there’s a lot of that.

 

DI GILLETT [Host] (47:31)

I always love that because I think that shows the intention from both sides.

 

DAN COPSEY [Guest] (47:36)

That’s skin in the game, you know, for everyone and that’s important.

 

DI GILLETT [Host] (47:39)

Yeah,

 

yeah, brilliant. Well, Dan, thank you so much because I think it’s a, it’s often a world that is unknown to somebody starting out a business and whilst they understand investment and is probably the next stage in knowing how to approach it is not necessarily something that’s in everybody’s direct playbook. So,

 

I’ve got a couple of rapid fire questions for you if I could to wrap up today. One word that defines a great founder.

 

DAN COPSEY [Guest] (48:20)

Honest.

 

DI GILLETT [Host] (48:22)

Love that. Biggest red flag in a pitch.

 

DAN COPSEY [Guest] (48:25)

arrows that go up.

 

DI GILLETT [Host] (48:27)

And the best piece of advice you’ve ever been given.

 

DAN COPSEY [Guest] (48:36)

I’m going give you two here. So one was from an older gentleman that I know sort of family circles and he said to me early days, he goes, always be prepared to do every role in the business. Don’t hire someone until you absolutely necessarily have to be prepared to do every role in the business. And which has stuck with me a long way through my journey, which is kind of cool. And then the other one was you don’t know you’re getting bad advice until you get good advice. So always seek out the good advice.

 

And I think I think more of that is just make sure make sure you you’re not you’re not in a an echo chamber. Make sure you’re taking advice from lots of different angles and process it and you know because everyone’s going to be different. Everyone’s going to have different experiences going lonely on their own. you know some people just have their might have their little advisory board or table one person and that might not be the best advice. Go and seek out advice from everyone. You know and I think a true

 

DI GILLETT [Host] (49:33)

I think that’s life in general.

 

DAN COPSEY [Guest] (49:35)

It is, yeah, and I like this is one thing I do like to hang my hat on is that if anyone reaches out to me for a coffee or a chat or wants to ask a question, I’m all ears for it because there people who did that for me early days and it’s all about returning the favor and I think if you’re a true entrepreneur and you’re true business person and you’ve been on that journey, if you’re not doing that at some point or later on in journey and trying to impart that knowledge backwards or help out, then I don’t think you earn the right to be a true entrepreneur. So you should always be willing to.

 

you up into the community.

 

DI GILLETT [Host] (50:06)

Yeah brilliant. Dan thanks so much. If anybody wants to get in touch with you what’s the best way to reach out?

 

DAN COPSEY [Guest] (50:12)

LinkedIn, LinkedIn hit me up on LinkedIn. My the DMS always open come in. Yeah, as long as you’re not trying to sell me SEO from somewhere around the world. if you start off somewhere else, I’m all open to it.

 

DI GILLETT [Host] (50:25)

They

 

clog up my email every day of the week.

 

DAN COPSEY [Guest] (50:29)

Add me on LinkedIn. I’m in Melbourne and Sydney all the time, more than happy to catch up with anyone, jump on a Zoom. ⁓ The best part about what I do is meeting all the wonderful people. your network is your network, as they always say.

 

DI GILLETT [Host] (50:43)

Yeah, brilliant. Well, Dan, thank you so much. think the world of business startups is the domain for females. think COVID was the breaking point that saw so many more emerge around the world. And this type of discussion hopefully is helpful for an individual who’s thinking about how you go from that initial embryonic idea and start to build a bigger picture of where you want to go. So thank you so much for joining us.

 

DAN COPSEY [Guest] (51:13)

Thank you for having me on. It’s been wonderful. And I just wanted to say I was humbled listening the other day to your journey on James’s podcast. Oh, thank It was a timing that I came up and I actually reached out to James and said that I was coming on yours and what a small world. But I think you’re doing a wonderful thing and keep up all the good work. think it’s people like you that help open up.

 

⁓ The ecosystem for those founders, and especially those female founders that might lack the confidence and stuff like that, you’re exposing worlds to them that they didn’t know was there. And I think it’s just great for the entrepreneurial community to have people like you putting your content out like this. So well done.

 

DI GILLETT [Host] (51:59)

Thank you so much, Dan. Until next time.

 

Chapters:

00:00 Introduction: Navigating the Shark-Infested Waters of Investment

05:58 The Entrepreneurial Spirit: Freedom and Challenges

11:47 Assessing Founders: The Human Element in Investment

17:53 Balancing Act: Sustainability in Entrepreneurship

24:53 The Gender Divide in Entrepreneurship: Challenges and Insights

27:40 Navigating Gender Dynamics in Professional Spaces

30:34 The Role of Female Founders in Business

33:31 The Unique Strengths of Female Entrepreneurs

36:48 Balancing Family and Entrepreneurship

39:01 Learning from Successful Female Founders

44:00 Understanding Investment and Scaling Strategies

 

Connect with Di:

Connect with Di on LinkedIn

Follow Power Of Women on LinkedIn

Follow Di on Instagram

The Power Of Women Podcast Instagram

Contact Di

 

Find Dan Copsey at:

Website https://dancopsey.com/media/

LinkedIn https://www.linkedin.com/in/dancopsey/

 

This is the home of unapologetic conversations and powerful stories of reinvention. New episodes drop every Monday to fuel your week with insights on leadership, resilience, and success. Subscribe and join a community of women who are changing the game.

 

🔔 Subscribe for unapologetic conversations redefining leadership, power and visibility.

 

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Disclaimer:  https://powerofwomen.com.au/podcast-disclaimer/

Starting Over in Midlife: What’s Holding You Back?

Starting Over in Midlife: What’s Holding You Back?

Midlife isn’t a crisis — it’s an invitation.

So what’s holding you back?

In this episode of the Power Of Women Podcast, host Di Gillett sits down with Maz O’Connor, a woman who made the bold decision to sell everything in Australia and start a new life overseas. First in Bali and now India…in her 50’s. Her story is a reminder that reinvention isn’t about discarding who we’ve been. It’s about carrying our courage, resilience and experience into the next chapter.

You’ll hear:

  • Why midlife reinvention is about conviction, not crisis
  • How courage and clarity fuel personal growth after 50
  • Why financial independence is the foundation of women’s empowerment.

 

Key takeaways :

  • Start small: reinvention doesn’t have to mean selling everything.
  • Back yourself, especially when no one else is.
  • Create a strategy before you leap.
  • Surround yourself with women who’ve walked the path before you.
  • Courage as a quiet force that fuels big life shifts.

 

Maz said:

“Courage is that quiet voice that whispers—and that we ignore. But when we find stillness and finally listen, it gets louder.”

“I took a massive step and sold everything. It doesn’t have to be that big, but it does have to be intentional.”

“Reinvention isn’t about starting from scratch. It’s about starting with you.”

Chapters:

00:00 Introduction

14:53 Midlife Reinvention: Embracing Change

27:00 Empowering Women in Their Third Act

28:06 Mindset and Career Paths

29:35 Empowering Women Through Business

30:33 Navigating Ageism and Embracing Technology

33:45 Innovations in Wellness and AI

37:33 Living Intentionally and Building a Legacy

44:28 Courage and Reinvention in Midlife

51:08 Overcoming Fear and Building Financial Independence

 

Connect with Di:

Connect with Di on LinkedIn

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Follow Di on Instagram

The Power Of Women Podcast Instagram

Contact Di

 

Find Maz O’Connor at:

LinkedIn

Instagram

 

This is the home of unapologetic conversations and powerful stories of reinvention. New episodes drop every Monday to fuel your week with insights on leadership, resilience, and success. Subscribe and join a community of women who are changing the game.

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Disclaimer:  https://powerofwomen.com.au/podcast-disclaimer/

Women’s Healthcare Reimagined: A Revolutionary Approach

Women’s Healthcare Reimagined: A Revolutionary Approach

This was such an import episode from earlier in the year, we were compelled to replay it for you.

Women’s healthcare is broken and Hema Prakash is rebuilding it from the ground up.

Hema is the co-founder of Ponti Health, Australia’s first integrated women’s health clinic built on the principles of slow medicine, agency, and whole-woman care. With more than 25 years across technology, private equity and innovation, she brings systems thinking, cultural awareness, and lived experience to redefining menopause and midlife healthcare.

In this powerful conversation, Hema shares how decades in tech and private equity, a global upbringing, and her own perimenopause journey shaped the creation of Ponti Health – an integrated clinic reimagining women’s health through slow medicine, time-rich consultations, and a fiercely woman-centred model of care.

Hema challenges the medicalisation of menopause, exposes gaps in the Australian healthcare system, and lays out the truth: women have been underserved for too long. The revolution begins with giving women back their intelligence, agency, and time.

 

You’ll hear:

  • Menopause should be viewed as a transition, not a medical condition
  • How Ponti Health blends East, West, tech and time into a groundbreaking new model
  • Women need to prioritise their health and well-being
  • Financial independence is crucial for women in midlife
  • Self-care is essential for maintaining health and happiness and long-term wellbeing
  • The dangerously underfunded state of women’s health research
  • The leadership philosophy Hema lives by: humility, empathy and excellence
  • Intergenerational friendships can provide valuable wisdom.

 

Hema said:

“Ponti Health is the first of its kind in Australia.”

“Women need to be financially independent.”

“We need to support our researchers.”

Chapters:

00:00 The Journey of Hema Prakash: From Curiosity to Leadership

02:55 Founding Ponti Health: A New Era in Women’s Health

14:22 Navigating Male-Dominated Industries: Lessons in Humility and Learning

19:23 The Personal Journey: Understanding Menopause and Women’s Health

27:14 Challenging the Medicalisation of Menopause

38:33 The Importance of Self-Care and Prioritising Health

50:56 Legacy and the Future: Empowering Women in Midlife

 

Connect with Di:

Connect with Di on LinkedIn

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Follow Di on Instagram

The Power Of Women Podcast Instagram

Contact Di

 

Find Hema at:

Website https://www.pontihealth.com.au

LinkedIn https://www.linkedin.com/in/hema-prakash-503260/

Instagram https://www.instagram.com/pontihealth/

 

This is the home of unapologetic conversations and powerful stories of reinvention. Episodes drop every Monday to fuel your week with insights on leadership, resilience, and success. Subscribe and join a community of women who are changing the game.

Want more fearless, unfiltered stories?

💫 Subscribe to the Power Of Women Podcast on YouTube, Spotify, or Apple Podcasts

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Disclaimer:  https://powerofwomen.com.au/podcast-disclaimer/

Your Midlife Reset: Strength, Vitality & Powerful At Any Age

Your Midlife Reset: Strength, Vitality & Powerful At Any Age

 

This episode is so powerful we are rerunning it to kick off your New Year’s resolution.

Your midlife reset: Strength, vitality & how to be powerful at ANY age.

Want to reinvent your body, health, and vitality at any age? This episode of the Power Of Women Podcast with Alison Cork MBE is a masterclass in midlife transformation and the evidence is irrefutable: it is never too late.

Alison is a London-based entrepreneur, author, broadcaster, and fierce advocate for women in business. She’s also rewriting the script on aging with her book Fit & Fabulous Over 50, a practical blueprint for reclaiming your strength, wellbeing, confidence, and energy.

In this dynamic conversation, Alison reveals the truth about nutrition, sustainable weight loss, the importance of strength training, and why midlife is not a decline, but a fabulous new chapter. She shares her personal health reset, the myths around quick fixes and sugar, and what women over 40 really need to know about brain health, metabolic changes, and longevity.

If you’re ready for your next chapter, this episode is the catalyst.

In this episode, we explore:

  • There is no quick fix for wellness; it requires commitment.
  • Mindset is crucial; it’s never too late to change your life.
  • Age should not define one’s capabilities or potential.
  • Weight training is crucial for women.
  • You cannot out train a bad diet; nutrition is key.

Chapters:

00:00 Introduction to Alison Cork: A Journey of Entrepreneurship

10:06 Championing Female Entrepreneurs

17:40 Rewiring Your Second Act: Fit and Fabulous Over 50

29:42 Transformation and Mindset: The Power of Change

39:09 Navigating Supermarket Choices

41:54 Cost of Living and Food Choices

44:03 Meal Planning and Budgeting

47:55 The Role of Exercise in Weight Loss

52:53 Embracing Body Confidence

54:22 The Importance of Weight Training for Longevity

59:01 Understanding Macronutrients

01:05:40 Mindset and Motivation for Change

 

Connect with Di:

Connect with Di on LinkedIn

Follow Power Of Women on LinkedIn

Follow Di on Instagram

The Power Of Women Podcast Instagram

Contact Di

 

Find Alison at:

LinkedIn https://www.linkedin.com/in/alisoncorkmbe/

Website www.alisoncork.com

Instagram https://www.instagram.com/alisoncork_home/

 

This is the home of unapologetic conversations and powerful stories of reinvention. New episodes drop every Monday to fuel your week with insights on leadership, resilience, and success. Subscribe and join a community of women who are changing the game.

Want more fearless, unfiltered stories?

💫 Subscribe to the Power Of Women Podcast on YouTube, Spotify, or Apple Podcasts

Your ⭐⭐⭐⭐⭐star review on Apple Podcasts or Spotify keeps these stories alive.

 

📩 Sign up for our newsletter where I share raw reflections and thought leadership on the Power Of Reinvention.

Disclaimer:  https://powerofwomen.com.au/podcast-disclaimer/